The
Djembe Page
beginners' exercises
These exercises are for beginners, to teach basic
facility on the drum. These patterns are very simple, but they are
the building blocks of many more advanced rhythms. They make good
warm ups, and they prepare you for advanced work.
They also help to strengthen and even out the hands,
so that either side can lead when necessary. Evenness and distinction
between the tones is crucial. Go at a comfortably slow pace, listening
carefully to your tone.
stu's note: As presented here,
these rhythms are culturally non-specific, and are not designed
to teach repertoire or style, but technique. They also work
for ashiko, to a certain degree on conga, and on many other drums
as well, any drum or surface on which the 3 basic tones can be achieved..
Groups of two - some are in 4/4 and some in
6/8
|
R |
L |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
. |
. |
pa |
ta |
. |
. |
tone |
. |
. |
go |
do |
. |
. |
go |
do |
bass |
Gun |
Dun |
. |
. |
. |
. |
. |
. |
in 4 |
1 |
+ |
2 |
+ |
3 |
+ |
4 |
+ |
. |
R |
L |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
pa |
ta |
. |
. |
pa |
ta |
tone |
. |
. |
. |
. |
go |
do |
. |
. |
bass |
Gun |
Dun |
. |
. |
. |
. |
. |
. |
in 4 |
1 |
+ |
2 |
+ |
3 |
+ |
4 |
+ |
It's good to play these remaining steady at various tempos, from
very slow to fast, and also starting slowly and speeding up gradually
as much as possible while remaining relaxed. Then slow up gradually
until you are at the starting tempo. Watch and listen to what the
drum and your hands are telling you.
. |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
. |
. |
pa |
ta |
tone |
. |
. |
go |
do |
. |
. |
bass |
Gun |
Dun |
. |
. |
. |
. |
in 6 |
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
pa |
ta |
. |
. |
tone |
. |
. |
. |
. |
go |
do |
bass |
Gun |
Dun |
. |
. |
. |
. |
|
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
. |
. |
. |
. |
tone |
. |
. |
. |
do |
go |
do |
bass |
Gun |
Dun |
Gun |
. |
. |
. |
. |
1 |
2 |
3 |
4 |
5 |
6 |
This one, a warmup given at a workshop by djembe artist Malang
Bayo, starts with a pick up (played the first time around only).
It leads with the left bass tone (dun). You can hear the two within
the six, as well as the three:
. |
R |
L |
R |
L |
R |
L |
. |
. |
. |
. |
pa |
ta |
. |
. |
. |
go |
do |
. |
. |
. |
(Gun) |
Dun |
. |
. |
. |
. |
gun |
pickup |
1 |
2 |
3 |
4 |
5 |
6 |
More "Groups
of three" - Triplet exercises
Groups of three notes are very beneficial
for beginners, because they lead with one hand, then the other,
working the weak hand. Practice these slowly, each one for
at least 10 to 20 minutes without stopping, paying careful
attention to your time & tone. Articulate clearly the
difference between bass, tone, and slap:
. |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
. |
. |
. |
. |
tone |
. |
do |
go |
. |
go |
do |
bass |
Gun |
. |
. |
Dun |
. |
. |
|
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
pa |
. |
. |
ta |
. |
. |
tone |
. |
do |
go |
. |
go |
do |
bass |
. |
. |
. |
. |
. |
. |
|
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
. |
ta |
pa |
. |
pa |
ta |
tone |
. |
. |
. |
. |
. |
. |
bass |
Gun |
. |
. |
Dun |
. |
. |
|
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
. |
ta |
pa |
. |
pa |
ta |
tone |
go |
. |
. |
do |
. |
. |
bass |
. |
. |
. |
. |
. |
. |
|
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
. |
. |
. |
. |
. |
. |
tone |
go |
. |
. |
do |
. |
. |
bass |
. |
Dun |
Gun |
. |
Gun |
Dun |
|
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
pa |
. |
. |
ta |
. |
. |
tone |
. |
. |
. |
. |
. |
. |
bass |
. |
Dun |
Gun |
. |
Gun |
Dun |
. |
1 |
2 |
3 |
4 |
5 |
6 |
The rhythm below, called by many names, is a component of
several exciting Manding rhythms. Learn it well as transcribed
here, with the ghost strokes (so light, they cannot be heard,
only felt.) on 2,5 and 6...
. |
R |
L |
R |
L |
R |
L |
slap |
pa |
. |
. |
ta |
. |
. |
tone |
. |
. |
go |
. |
. |
. |
bass |
. |
. |
. |
. |
. |
. |
. |
1 |
2 |
3 |
4 |
5 |
6 |
. |
R |
L |
R |
L |
R |
L |
slap |
. |
ta |
pa |
. |
pa |
ta |
tone |
go |
. |
. |
do |
. |
. |
bass |
. |
. |
. |
. |
. |
. |
|
1 |
2 |
3 |
4 |
5 |
6 |
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To learn how to pull your rope to tune your
djembe, go
here.
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